Be Where You Are (2009)
Den's third solo album, "Be Where You Are", released September 2009, contains
12 original songs which Den has written specifically for his recent, i.e. acoustic, live performances.
"I love doing my songs in a band setting, but for various reasons, it's just not within the scope of
where I am in my life right now to perform that live. People would listen to the CDs, and it would be
very different to what they'd heard live. So these new songs all work for a solo performer. They invite
audience participation and they tend to be more humourous too. The focus is on the words and the delivery
of them, rather than burying all this in layers of orchestration and harmonies, much as I enjoy doing that."
And, indeed, the temptation to sing a 6 part harmony section was too great on some songs.
It was the second album to be recorded at Calder Recordings, and Frances Miller again provides the artwork.
"Her artwork is one of the main reasons to buy the CD. She puts as much into it as I do the music.
It's like a few bonus tracks on the album!"
Still A Beautiful World (2007)
Den's second solo album, "Still A Beautiful World" was released August 2007, and contains
10 original songs which stick to Den's songwriting philosophy of strong melody plus
intelligent lyrics. As well as the title track, standout tracks include "Can't Help But
Miss The Sun", "Lost", and "One False Move". The only cover version, "Down By The
Riverside", is a 9-part harmony a capella version of the traditional "Study War No More".
It was recorded at Calder Recordings in Mytholmroyd, West Yorkshire, surrounded by beautiful scenery, with Steve Fenton an excellent engineer. The album artwork is a collaboration between Frances Miller and Snubs
Right, Where Was I? (2003)
With her bold colours and sketchy style which paints a scene straight from "Tired Of Starting Again", Frances Miller beautifully introduces
the first Den Miller recording in 10 years. The long awaited sequel to "Ta Verry Much" was recorded at the excellent Sponge Studio in Leeds
under the expert guidance of Jim Dobson. The album is mostly new songs, with a couple of
old Spooks favourites thrown in, one of which, "Eat Away The Rainbow" is actually played by The Spooks themselves.
The album is, in the main, a lot mellower than the heady folk indie rock of The Spooks' Ta Verry
Much. This can partly be explained by the Songwriting Weekend Den went on 6 months before recording.
It was in the middle of nowhere (apologies to residents of Penrith in Cumbria) and run by
singer/songwriting duo Cathryn Craig and Brian Willoughby. Apart from the peace and quiet
and encouragement which enabled Den to write "Ticket Home" and "Send In The Love", Cathryn
and Brian's powerfully moving yet so simple guitar and vocal arrangements encouraged Den to
strip the noisy Spooks version of "Why Is Love So Hard?" down to 2 guitars and simple
keyboards. The now simple arrangements of the previously boppy "There's Always
A Boat Going Nowhere" and the anthemic "All Is Never Done" make these two of the more
emotional and haunting songs on the album.
"Wasting My Time", "Count Them All" and "I Wasn't Late For You" (somewhat ironically finished
frantically in the studio while Joe and Jim were setting up the drumkit) complete the album.
Ta Verry Much (1993)
The Spooks were an indie folk-rock band based in Salford and Leeds and consisted
of Richard Blachford on violin, Joe Miller on drums, Tony Webster on lead and bass
keyboards, Tim Davis on lead guitar and vocals, and Den Miller on rhythm guitar and vocals.
The trademark Ghostie logo of The Spooks was created by Frances
Miller, and formed a 12ft high backdrop to the live shows, as well as introducing the
Ta Verry Much album. The first track on each side (the catchy "Dominate The World"
and the more reflective "Somebody Nobody") were penned by Kevin Miller and sung by Tim,
whose Knopleresque guitar solos were very much a feature of the music. Indeed Dire Strait's
"Sultans Of Swing" was a favourite live number, and it surprised quite a few in the
audience as Tim can actually play the solo note for note.
The rest of the album was written by Den, covering such subjects as boring jobs (the
chicken-dance-inspiring "White Collar Working Man"), busking in Manchester ("Look On"),
an accident with the fabric of space-time ("Dirky And The Cavemen"), the first Gulf War
("Got To Be A Rebel") and struggling against overwhelming bad luck ("Not Giving Up").
Oh yes, and unrequited love ("Mayday"), sigh, well everyone has at least one of 'em.
Unfortunately, as far as record companies went, it "wasn't what they were looking for."
Never mind, they found East 17, 2 Unlimited and Rednex instead. Faced with such talent
The Spooks never stood a chance.